hyperpop / glitch-pop / experimental electronic — seattle, wa
nomu. is a Seattle-based hyperpop artist and producer. Outside of collaborations, he writes, records, produces, mixes, and masters everything himself, and has released all of it independently — most recently the 2025 debut album Sequence 01 and singles with crusey and scrobaby. The past year brought 3.6 million Spotify streams and 56,000 monthly listeners, with no label or management behind him. He came up in the 2019–2020 digicore scene alongside dolly, SEBii, and SHYSHY, and performs with live autotuned vocals over realtime glitch visuals he coded himself.
nomu. is the project of a Vietnamese-American producer and vocalist based in Seattle, by way of Folsom, California and the Bay Area. He has been producing for nearly a decade and making vocal hyperpop since 2018. Everything under the name is his own work — the writing, production, mixing, mastering, and the realtime glitch and datamosh visuals that run during his live sets, which he programmed himself.
He came up in the 2019–2020 digicore and hyperpop internet scene, with early collaborations alongside dolly, SEBii, and SHYSHY and releases with collectives like helix tears and novagang. Recent collaborators include crusey, AMARU, Seattle artist mental, and scrobaby, whose guitar he samples across the catalog — their single “rush” was released on NoCopyrightSounds in 2025.
His debut album Sequence 01, written largely in overnight sessions, was self-released in December 2025. Over the past year his music has drawn 3.6 million Spotify streams and 56,000 monthly listeners, with no label or management. The single “Bite,” with crusey, followed in May 2026.
Live, he sings through autotune over visuals his own software generates in real time. He has shared bills with osquinn, blackwinterwells, i9bonsai, and funeral, at rooms including the Troubadour and Water & Power in Los Angeles, Chop Suey in Seattle, and the Cobalt in Vancouver BC. He is based in Seattle and booking shows in any city.
nomu. sings live through autotune; the glitch / datamosh visuals behind him are software he wrote, generated in real time at every show.